the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage
EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener
Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full
featured and flexible unit for modern use. The Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many
new controls including switchable input impedance for hard of soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.
All TG units require and function on the PSU-1, Chandler Limited power supply
a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late ’60s. These rare pieces were never commercially available, and
only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660/670 which was loved by many EMI engineers including Geoff Emerick, but it ended
up with its own very special sound. TG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles “Abbey Road” and Pink
Floyd “Dark Side of the Moon,” in addition to albums by Paul McCartney and the Rolling Stones. The Limiter/Compressor features an all discrete circuit with transformer balanced input and
output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and
squishy sounding while maintaining its clarity and high frequency response. TG1 Updates & Modifications: Harmonic Distortion Function Now standard on all Abbey Road Special Edition
TG-1′s, this option allows bypassing of the compressor/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of
kicking out up to 2% Total Harmonic Distortion. That’s more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of
THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro!
All TG units require and function on the PSU-1, Chandler Limited power supply.
with the GERMANIUM Compressor. The Germ Comp starts with the same all class A amp found in the Germ Pre and Tone Control and is transformer balanced in and out. The compression circuit uses
an FET gain reduction element but with the tricks and flexibility of all the Germ units. Some of the most notable additions include a Wet/Dry mix (for “submixing” tracks within the comp),
Comp Curve (which selects the knee using various diode combinations), Clean/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and
listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.
All Germanium units require and function on the PSU-1, Chandler Limited power supply.